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Fates - Morning USA

from Love American Skin by Various Artists

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about

The Fates project was started by American composer Django Voris, Swiss electronic artist Moritz Wettstein, and British-born producer PJ Norman. The three met in New York City in early 2009 where their shared passion for electronic experimentation led to a series of recording sessions at Harvestworks, the foundation co-founded by Bob Moog to support experimental music. With the return of Wettstein to his native Switzerland in 2010, Fates continues as a duo between Voris and Norman with a revolving door policy as they continue the production of their second full-length in Wettstein's absence.

"Nebulous post-industrial soundscapes constantly tweaked and realigned to create one of the most original electronic records of the year to date. 4.5/5" - The Milk Factory

"Dizzying and compelling." - Brainwashed

"Literally one in a million; tweaking and meshing uncommon sounds to create one of the most original electronic pieces I have heard all year. Abstract art for the ears most certainly." - AW Music

"A post-glitch triumph that goes by quickly but not without making one’s head spin." - Cyclic Defrost

"When you listen to this material with headphones it really takes on a life of its own as all of the various textures come together to create lush soundscapes." - Cosmos Gaming

"Murky Circuits sounds like a highly caffeinated robot took over a decrepit Radio Shack and had its way with anything it could grab." - Chubby Jones

"Experimental, rampant and very energetic." - Radio Onde Furlane

credits

from Love American Skin, released September 5, 2011

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100m Records New York, New York

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100m Records started out life as a boutique record label founded in 2005 around a close-knit scene of musicians and producers in North London, UK. Beyond London, the collective has now spread to New York, Copenhagen and Zurich and the aim continues to be to release music from the core artists whilst providing a platform of opportunity to new and emerging artists. ... more

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